Bard’s highly selective, unique, and specialized graduate programs have attracted incredible artists, scholars, curators, and policymakers—all of whom now make up an integral part of the Bard community. Everyone with a Bard degree is a Bardian—from an early college AA graduate to a PhD recipient. We are glad you are here. This is a place where all Bardians can connect, find news of their fellow alumni/ae, and get involved in volunteer opportunities.
Photo by Pete Mauney ’93 MFA ’00
Stay in Touch
Keep your records up to date in the alumni/ae directory. The Alumni/ae Association sends out a monthly e-newsletter, The Triangle, which is filled with alumni/ae news, news of the College, and upcoming events. We also send important messages from the College and news on networking events and alumni/ae achievements. Alumni/ae receive snail mail invitations to reunions, holiday parties, and our biannual magazine, The Bardian. Email [email protected] to receive the Triangle or the What's New at Bard weekly update, sent by the Office of Communications. Follow us on social media to make sure you are getting the most out of your Alumni/ae Association.
Christian Crouch Named Dean of Graduate Studies at Bard College
Dean of Graduate Studies and Associate Professor of History and American and Indigenous Studies Christian Ayne Crouch has been teaching at Bard since 2014. Her work focuses on the histories of the early modern Atlantic, comparative slavery, American material culture, and Native American and Indigenous Studies. She holds a PhD and an MA with distinction in Atlantic history from New York University, and an AB cum laude in history from Princeton University.
Graduate Alumni/ae News
New York Times Features Christine Sun Kim's MFA ’13 Survey Show at Whitney
“Sound isn’t part of my life, but when I found sound art, it became really interesting to me as a medium.”
Martine Syms MFA ’17 Interviewed in McSweeney’s Internet Tendency
“In art, I love an unknown," Symes said.
Jeffrey Gibson Reflects on a Standout Year in Artnet
2024 saw Gibson honored as the first Indigenous and openly queer artist to have a solo representation of the US Pavilion in Venice Biennale and continued with MASS MoCA’s commissioning of Power Full Because We’re Different.