Newsmakers

Mariel Fiori will cohost a new program on Radio Kingston, which plans to expand to FM and move to a new home in the city.

Dan Gettinger, Bard alumnus and codirector of Bard's Drone Center, talks about how Isis uses recreational drones for propaganda purposes.

Bard alumnus J.I. Abbot reflects on the late William Mullen, his Greek professor at Bard, for his engaged mentoring and lifelong impact on Abbot's own teaching.

Curator and art dealer Cros is one of five young women who will make the art world go round in 2018, according to W magazine.

Eva-Marie Quinones, now a doctoral student at Yale, discusses the Unity March for Puerto Rico in her role as head of national youth engagement. Interview by Stephanie Presch '15.

The Sundance Art of Nonfiction Fund will support the Khalil brothers' new film, Untitled Norval Morrisseau Project.

Julia Bullock MM '11 speaks about her life as an opera singer and her role as Dame Shirley in the world premiere of John Adams’s Girls of the Golden West.

Bard alumna and editor of the Bard-sponsored Spanish language magazine La Voz Mariel Fiori ’05 has won the Woman of the Year Award from the American Association of University Women.

Eli Pariser, Upworthy president and cofounder, author, and Bard College at Simon’s Rock alumnus, visited an Internet and Society class at Bard High School Early College Queens.

Drone Center codirector and cofounder Dan Gettinger '13 discusses how U.S. military spending on drones in 2018 is set to outpace 2017 spending.

Loudis comes to World Policy Journal most recently from Al Jazeera America, where she was a digital features editor.

Artist Anna Sew Hoy will be the first Martha Longenecker Roth Distinguished Artist in Residence, noted for "expanding the field of art, celebrating material and craft, and engaging with students and the public."

Duane Linklater's Wood Land School creates site-specific exhibitions of works by indigenous artists—most recently an ambitious, yearlong project at Montreal’s SBC Gallery.

Bard Prison Initiative alumnus Darren Mack was recently honored with the 2017 Citizens' Social Action Award from Citizens Against Recidivism in recognition of the accomplishments and contributions he has made since his release from prison. Currently pursuing his master of social work at Hunter College, Darren has been involved with the CUNY Black Male Initiative at City College, became a member of the Education from the Inside Out Coalition, is an active member of Just Leadership USA and its Close Rikers campaign, and is a 2016–2017 New York Civil Liberties Union–Community Organizing Institute Fellow as well as a Beyond the Bars Fellow.

Unspecified Promise, a sculpture and performance art piece by Guillermo Calzadilla MFA '02 and Jennifer Allora, speaks to the personal aftermath of Hurricane Maria.

Alyssa Greenberg MA '12, who received her Ph.D. in art history from the University of Illinois at Chicago this year, has been named a Leadership Fellow at The Toledo Museum of Art. This recently established program cultivates membership of the next generation of museum leaders through an innovative, experiential program that also builds partnerships across the broader industry and community.

Judith Gura MA '99 is on the faculty at the New York School of Interior Design. Her most recent book is Postmodern Design Complete: Design, Furniture, Graphics, Architecture, Interiors, published by Thames & Hudson.

Melissa Riebe McCaffrey MA '10 has been named regional director of New York Fine Art Appraisers' newly opened New England office in Boston. Assisted by a team of appraisers and experts in a range of specialties—including jewelry, Americana, modern and contemporary art, and antique furniture—she provides onsite appraisal services to local and New England clientele.

The Hunter College MFA in Studio Art announces the appointment of painter and writer Carrie Moyer MFA '02 as the new director of Hunter’s nationally ranked graduate studio art program.

Adriana Farmiga, a Bard MFA alumna who has taught at the Cooper Union School of Art since 2011, has been appointed assistant dean at the school.

Gavin Rayna Russom '97 examines her trans-feminine identity through her new music.

Bard MFA alumna Colleen Brown '11 and nine other selected artists explore art and civic life in Vancouver through events, installations, and residencies.

Campus will be bustling this weekend as parents, family members, and alumni/ae come back to experience the Annandale autumn and reconnect with each other. Numerous special events will take place, including performances, campus tours, panel discussions, sample classes, meet-the-President forum, and a Blithewood Sunset Soiree.

Bard Conservatory alumnus Christopher Carroll is among the young movers and shakers of New York City, in his role as political director of the Associated Musicians of Greater New York.

Mariel Fiori, Bard alumna and managing editor and cofounder of Bard's La Voz, calls for citizens to press their local leaders and political candidates on immigration reform.

Alumni Madeline Wise '12, Milo Cramer '12, and Morgan Green '12 received three New York Innovative Theatre Awards for their show Minor Character.

Bard Prison Initiative alumnus Rich Gamarra talks with BPI senior advisor Robert Fullilove about how education turned his life around. Gamarra has just completed a master's degree at Columbia.

Nikkya Hargrove uses U.S. Rep. John Lewis's commencement address at Bard as a touchstone for thinking about her son's potential.

Walter Becker ’71, guitarist, bassist, and songwriter, cofounded the rock band Steely Dan with Donald Fagen ’69 when they were students at Bard.

As seniors, Arthur Holland Michel ’13 and Dan Gettinger ’13 created the Center for the Study of the Drone at Bard. Now they're industry experts.

Late founder of the NYC neon sign workshop, Let There Be Neon, artist Rudi Stern '59 is widely credited with reviving the craft of neon and revolutionizing its use in art and commerce.

Point Foundation, the nation's most prominent scholarship-granting organization for LGBTQ students, has announced its 2017 scholarship recipients, and it’s by far the largest and most diverse group in the organization’s history. Harper Zacharias '19 is among the 52 recipients selected from more than 200 applicants.

Bach Tong, a 2017 graduate of Bard College, grew up in Vietnam before moving to Philadelphia, where he attended high school. The thought of climbing the corporate ladder after graduation perplexes him. Tong said his leadership in high school antiviolence efforts shaped the course of his education and career path.

Bard College alumna Charlotte Mandell ’90 has been named one of six finalists for the 2017 Man Booker International Prize, which celebrates the finest works of translated fiction from around the world.

Bard College held its one hundred fifty-seventh commencement on Saturday, May 27, 2017. At the commencement ceremony, Bard President Leon Botstein conferred 421 undergraduate degrees on the Class of 2017 and 133 graduate degrees, including master of fine arts; doctor and master of philosophy and master of arts in decorative arts, design history, and material culture; master of science in economic theory and policy; master of business administration in sustainability; master of arts in teaching; master of arts in curatorial studies; master of science in environmental policy and in climate science and policy; and master of music in vocal arts and in conducting. The program, took place at 2:30 p.m. in the commencement tent on the Seth Goldfine Memorial Rugby Field and included the presentation of honorary doctoral degrees.
 
Text (unedited) of commencement address by U.S. Representative John Lewis:
 
Thank you, Mr. President; members of the board of trustees; Mr. Chairman; deans; inspired faculty; proud parents, family and friends; and to you, the class of 2017. I’m honored to be here, to see each and every one of you. You look good. You look beautiful, handsome, smart and ready to take on the world. Mr. president, thank you for those kind words, thank you. To each and every one of you receiving a diploma today, I say a congratulations. This is your day. Enjoy it. Take a long deep breath, and take it all in. But tomorrow you must be prepared to roll up your sleeves because the world is waiting for talented men and women to lead it to a better place.
 
You heard it said that I grew up in rural Alabama. That is true. I grew up 50 miles from Montgomery, outside of a little place called Troy. My father was a sharecropper, a tenant farmer. But back in 1944 when I was four years old, and I do remember when I was four, my father had saved $300 dollars, and a man sold him 110 acres of land. My family still owns that land today. On that farm, we raised cotton, corn, peanuts, hogs, cows, and chickens. On the farm, it was my responsibility to care for the chickens. I fell in love raising chickens. Now I know as graduates, as smart, gifted students, you don’t know anything about raising chickens. Do we have anyone here that knows anything about raising chickens? Well, why don’t we compare notes? When a setting hen was set, we had to take the fresh eggs, mark ‘em with a pencil, place them under the setting hen and wait for three long weeks for the little chicks to hatch. Some of you may be saying, “Now, John Lewis, why do you mark those fresh eggs with a pencil before you place them under the setting hen?” Well, from time to time, another hen would get on that same nest, and there would be some more fresh eggs, and (we had to tear) the fresh eggs from the eggs already under the setting hen. Do you follow me? No, you don’t follow me. That’s okay. So when these little chicks were hatched, I would fool these setting hens, I would cheat on these setting hens, I would take these little chicks and give them to another hen and put them in a box with a lantern and raise them on their own, get some more fresh eggs, mark ‘em with a pencil, place them under the setting hen, and encourage the setting hen to stay on the next for another three weeks. When I look back on it, I kept on fooling these setting hens and cheating on these setting hens. It was not the right thing to do. It was not the moral thing to do, not the most loving thing to do, not the most non-violent thing to do. It was not the most democratic thing to do, but I was never quite able to save $18.98 to order the most inexpensive incubator… from the Sears Roebuck store. We used to get the Sears Roebuck catalog. As graduates, as young people, you’ve never seen one of these catalogs. It’s a big book, it’s a heavy book, it’s a thick book. We call it a wish book: “I wish I had this; I wish I had that.”
 
As a little boy about eight or nine years old, I wanted to be a minister. I wanted to preach the gospel. So, with help of my brothers and sisters and cousins, we would gather all of our chickens together in the chicken yard, like you are gathered here today, and we would have church. And I would start speaking or preaching, when I look back on it, some of these chickens would bow their heads. Some of these chickens would shake their heads. They never quite said amen, but I’m convinced that some of those chickens that I preached to during the forties and the fifties, tended to listen to me much better than some of my colleagues listen to me today in Congress. And some of those chickens were just a little more productive. At least they produced eggs. But that’s enough of that.
 
When we would visit the little town of Troy, visit Montgomery, visit Tuskegee, visit Birmingham, I saw these signs that said “white men,” “colored men,” “white women,” “colored women,” “white waiting,” “colored waiting.” To go down town on a Saturday afternoon to the theater, to see a movie, all of us little black children had to go upstairs to the balcony. All the little white children when downstairs to the first floor. I kept asking my mother, my father, my grandparents, my great-grandparents: Why? They would say “that’s the way it is. That’s the way it is. Don’t get in the way. Don’t get in trouble.” But one day, in 1955, 15 years old, in the tenth grade, I heard about Rosa Parks, I heard the words of Martin Luther King Jr. on an old radio during the Montgomery bus boycott. And the words of Martin Luther King Jr. and the actions of Rosa Park inspired me to find a way to get in the way. I got in the way, I got in trouble, but I call it good trouble, necessary trouble. I say to you, the graduates of the class of 2017, you must go out and get in trouble, necessary trouble that helps make our country and our world a better place. You must do it.
 
When you see something that is not right, something that in not fair, something that is not just, you have a moral obligation, a mission, and a mandate to stand up, to speak up, and speak out. Those of us who live on this little planet we call Earth, we have a right to know what is in the food we eat. We have a right to know what is in the water we drink. We have a right to know what is in the air we breathe.
 
So I say to you, my young friends, it is left up to you. You must do your part, and when you leave this great college, go out there, get in the way, make a little noise, be bold, be brave, be courageous. Use your education and your training to redeem the soul of our nation and maybe help make our world a better place for all human beings. Our world, our little world, our little planet is dependent on you, so, please, don’t let us down.
 
You know during the sixties, as (President Botstein) told you, I was arrested a few times, 40 times, beaten, left bloody, unconscious. I thought I was going to die on that bridge in Selma. Since I’ve been in Congress five more times (arrested), and I’ll probably get arrested again for something. But on that bridge, I thought I saw death, but I lived. You will live to tell the story. You can do it. As you go out there, do your work. Never become bitter or hostile. Never get lost in a sea of despair. Keep the faith, keep your eyes on the prize, and never hate. As Dr. Martin Luther King Jr. said, “hate is too heavy a burden to bear.”
 
During the sixties, I met a man by the name A. Philip Randolph. He was the dean of black leadership who helped plan the March on Washington on August 28, 1963. This man was born in Jacksonville, Florida. He moved to New York City. He became a champion of civil rights, human rights, and labor rights. From time to time, as we were planning to march on Washington, he would say, “maybe our foremothers and our forefathers all came to this great land in different ships, but we all in the same boat now, and we must look out for each other.” So it doesn’t matter whether you black or white, Latino, Asian-American, or Native-American. We’re one people. We’re one family. We all live in the same house. Not just the American house, but the world’s house. So, we must learn to live together. And never give up, never give in, dream dreams, and make those dreams real. I wish you well. So, with faith, hope, peace, and with love, thank you very much.
 
PHOTO AVAILABLE FOR DOWNLOAD AT: bard.edu/news/pressphotos/
CAPTION INFO: U.S. Rep. John Lewis
PHOTO CREDIT: Karl Rabe
 

ABOUT THE COMMENCEMENT SPEAKER

 
U.S. Representative John Lewis was elected to Congress in November 1986 and has served as U.S. Representative of Georgia’s Fifth Congressional District since then. He is senior chief deputy whip for the Democratic Party in the House, a member of the House Ways and Means Committee and its Subcommittee on Income Security and Family Support, and ranking member of its Subcommittee on Oversight.
 
As a student at Fisk University, Lewis organized sit-in demonstrations at segregated lunch counters in Nashville, Tennessee. In 1961, he volunteered to participate in the Freedom Rides, which challenged segregation at interstate bus terminals across the South. Lewis risked his life on those rides many times by simply sitting in seats reserved for white patrons. He was beaten severely by angry mobs and arrested for challenging the injustice of Jim Crow segregation in the South.
 
During the height of the movement, from 1963 to 1966, Lewis was named chairman of the Student Nonviolent Coordinating Committee (SNCC), which he helped form. SNCC was largely responsible for organizing student activism in the movement, including sit-ins and other activities. By 1963, at the age of 23, Lewis had become a nationally recognized leader and was dubbed one of the “Big Six” leaders of the civil rights movement. He was an architect of and a keynote speaker at the historic March on Washington in August 1963. The following year, Lewis coordinated SNCC efforts to organize voter registration drives and community actions during the Mississippi Freedom Summer.
 
On March 7, 1965, Hosea Williams, another notable civil rights leader, and Lewis led more than 600 peaceful protesters across the Edmund Pettus Bridge in Selma, Alabama. They intended to march from Selma to Montgomery to demonstrate the need for voting rights in the state. The marchers were attacked by Alabama state troopers in a brutal confrontation that became known as “Bloody Sunday.” News broadcasts and photographs of the event helped hasten passage of the Voting Rights Act of 1965.
 
He is the recipient of numerous awards, including the Medal of Freedom, Lincoln Medal from the historic Ford’s Theatre, and National Education Association Martin Luther King Jr. Memorial Award. In 2001, Lewis was awarded the only John F. Kennedy “Profile in Courage” Award for Lifetime Achievement ever granted by the John F. Kennedy Library Foundation.
 
Lewis holds a B.A. in religion and philosophy from Fisk University and is a graduate of the American Baptist Theological Seminary in Nashville. He lives in Atlanta, Georgia. He has one son, John Miles.

Bard College Held its 157th commencement on Saturday, May 27, 2017.
Live Webcast at 2:30pm
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The commencement address was given by U.S. Representative John Lewis, who received an honorary doctorate of civil law. Honorary degrees were also awarded to classicist Mary Beard, computer scientist Erik D. Demaine, West Point Dean and Brigadier General Cindy R. Jebb, artist Brice Marden, mathematician Karen Saxe ’82, and philanthropist Charles P. Stevenson Jr. At the commencement ceremony, Bard President Leon Botstein conferred 421 undergraduate degrees on the Class of 2017 and 133 graduate degrees.

Arthur Holland Michel '13 comments that drones are becoming commonplace both among criminals and the police.

The Fire Next Time has been republished by Taschen in a new edition that pairs James Baldwin's text with images by the civil rights–era photographer Steve Schapiro.

Jonathan Cristol considers how North Korea's latest ballistic missile test raises the stakes on Trump's meeting with Chinese President Xi Jinping and complicates his position with China.

Lertxundi talks about the influence Bard film professors John Pruitt and Peter Hutton have had on her work.

Bard alumnus Duane Linklater's show at NYU's 80WSE gallery engages with questions about the under- and misrepresentation of indigenous artists in galleries and museums.

How the Citizen Science Teaching Fellows Program Challenges and Supports Students and Alumni/ae
A remarkable group of students and alumni/ae has played an essential role supporting Bard first-years in the labs during Citizen Science. Now celebrating its fifth year, the Citizen Science Teaching Fellows Program is having a big impact on the lives of Bardians on campus and after graduation.

The fifth annual Bard Works program runs from Sunday, January 22, to Friday, January 27, offering opportunities for students to gain valuable career tools as they near graduation. Juniors and seniors participate in a series of workshops, networking events, and other professional development activities. With the support of mentors from the campus community and beyond, students hone their business etiquette and job searching skills, work on public speaking and workplace leadership, and explore how to translate their undergraduate education to the global marketplace. Participants include 60 students and more than 100 alumni/ae, parents, and local professionals. Visit website

The artist Tschabalala Self employs a signature blend of paint, recycled materials, fabrics, and collage to depict women of color in her work, defiantly reclaiming their stories.

Vogue highlights the diversity of the march organizers and their willingness to engage in difficult conversations around race and privilege.

Drones: Is the Sky the Limit?, the first major U.S. museum exhibition on pilotless aircraft, is set to open at the Intrepid Sea, Air & Space Museum on May 10.

Fulbright scholar Jane Wong reflects on "tangled familial relationships and the lingering influences of immigrant parents in poems replete with images of nature, insects, food and people."

Nona Faustine makes photographs that expose the history of slavery in the United States, particularly for black women, and its ties to locations in New York City and to national landmarks.