Newsmakers

The BMI Foundation has named Luke Haaksma ’21 as a recipient of the 72nd BMI Composer Awards, an annual competition open to young composers engaged in the creation of classical music. Haaksma, a composer, filmmaker, and hammered dulcimerist, studied composition at Bard College Conservatory of Music with Joan Tower and George Tsontakis, and is now completing graduate study at Yale School of Music studying with Katherine Balch. His work often focuses on non-human states of consciousness, finding influences in themes of anthropomorphization, murder ballads, and folk-horror, and he has received awards and recognition from organizations such as the Young Concert Artists and the American Academy of Arts and Letters. The BMI Foundation is a nonprofit supporting the creation, performance, and study of music through awards, scholarships, grants, and commissions, and its Composer Awards competition has a prestigious history of discovering and encouraging many of today’s most prominent and talented young composers. 

Born in Los Angeles, where he still works, Eddie Rodolfo Aparicio ’12 “finds beauty amid the ruin. His art engages serious social and political experience, but it succeeds by its refusal to be monolithic,” writes the Los Angeles Times. Aparicio’s current solo exhibition of recent works focuses on the various connections between Central America and Los Angeles—and posits multiple sites as a part of the same community and history as a crucial decolonizing strategy and one that problematizes the term “native.” In his cast rubber piece, “Who Do You Believe More, the Subversive or the Embassy? (W. Washington Blvd. and Hoover St., Los Angeles, CA),” specific use of materials that have a strong tie to pre-Hispanic cultures in Central America are key. The living ficus tree from which the work was cast is located at a major street intersection in the heart of the city’s El Salvadoran community. “Nature is scrutinized as an index of American culture. The landscape view subtly shifts. After seeing Aparicio’s show, you’re unlikely to look at our omnipresent ficus trees quite the same way again.” His show is on view at the Geffen Contemporary at MOCA through June 16.