Newsmakers

On Monday, November 4, at 5 pm, Bard College will host a screening and discussion for the public premiere of the Open Society University Network’s (OSUN) documentary film, A Poll to Call Our Own: The Bard Voting Story. The screening will be followed by a discussion with key actors, including Bard alumni/ae Sarah deVeer ’17, Jonian Rafti ’15, Seamus Heady ’22 (producer/director), lawyer Yael Bromberg, Bard Vice President for Civic Engagement Erin Cannan, and Bard Vice President for Academic Affairs Jonathan Becker. The event will take place at the Weis Cinema in the Bertelsmann Campus Center. It will also be broadcast as a webinar. Register in advance for this webinar here.

The short film A Poll to Call Our Own: The Bard Voting Story chronicles the quarter-century fight at Bard over student voting rights, a period during which Bard students and administrators, with the support of groups like the Andrew Goodman Foundation and the New York Civil Liberties Union, won four lawsuits—three state and one federal—to protect students’ right to vote locally and to secure a polling place on the Bard campus. Bard’s experience helped inspire New York State to pass a law in 2022 mandating polling places at or near college campuses that have 300 or more registered on-campus voters.

The film was produced as an open educational resource for the course, Student Voting: Power, Politics and Race in the Fight for American Democracy. The course, which is supported by the Andrew W. Mellon Foundation and OSUN, is collaboratively taught by faculty from Bard, North Carolina Agricultural and Technical State University (North Carolina A&T), Prairie View A&M University, and Tuskegee University. Students meet virtually weekly to discuss issues in the course, including case studies which explore histories of student voting at each institution. By the end of the project, there will be a film and written case study for each campus, chronicling their fight for student voting rights.

A Poll to Call Our Own: The Bard Voting Story contains interviews with key players in the fight for a polling place, including current and former students, key administrators, and legal counsel, as well as archival footage of students being harassed at a local poll site and speaking before the Red Hook Town Board about the need for a polling place on campus. It is accompanied by a written case study.

Director and producer Seamus Heady ’22 said: “Our film reveals the powers which have worked, often quietly, to stand between youth voters and the polls. Nobody goes out of their way to silence meaningless voices. It is my hope that youth everywhere, who may feel dubious about the power of their votes, take this film as an affirmation of the significant role they play in our democracy. Bard as an institution has committed significant resources to bring attention to local municipal injustice, which could otherwise go unnoticed. I believe all universities owe it to their students to do the same.”

Bard College President Leon Botstein, who was a litigant in two of the cases, said: “This film illustrates Bard’s belief in the inextricable link between education and democracy. I am proud to have served as a litigant with Bard students and administrators in our successful campaign to secure a polling place on campus and to advocate for a law mandating polling places on college campuses in New York State with 300 or more registered voters. As trust in institutions and faith in democracy wanes in the United States, particularly amongst American youth, it is more important now than ever to fight for justice and change through securing for all citizens the right to vote.”

Bard’s Vice President for Academic Affairs, Director of Bard’s Center for Civic Engagement, and Professor of Political Studies Jonathan Becker said: “The film covers many of the critical milestones of Bard’s long fight over student voting rights. It effectively captures how successive generations of Bard students mobilized with the support of the Bard administration and partnered with organizations like the Andrew Goodman Foundation and the New York Civil Liberties Union to fight for their democratic rights. It is a testament to the capacity of higher education institutions to serve as civic actors in an America whose democracy is increasingly under threat.”

Bard student Sierra Ford ’26, who is the head of Election@Bard and an Andrew Goodman Ambassador, said: “It is incredible to be a part of a legacy of rich voter advocacy at Bard. What a privilege it has been to join my peers, administration, and mentors in realizing an electorally engaged community.”

Bard Vice President for Civic Engagement Erin Cannan said: “The Bard student voting story is a reminder to all of us that fair elections require vigilance and engagement of young people. And that the fear of ‘over enfranchising’ students cannot be a reason for election officials to act illegally. This work is never finished.”

Assistant Producer at OSUN Maria Pankova said: “Working on this case study was an opportunity for me to learn more about Bard College’s history and the culture of civic engagement on campus. As a Bard graduate, I felt closer to my alma mater, knowing the full extent of voting activism taking place there and administration advocacy for students’ rights.”

In conversation for Bomb magazine, Bard alumnae and visual artists Adriana Farmiga MFA ’04 and Fawn Krieger MFA ’05, who lectured together at the Metropolitan Museum of Art for nearly a decade and now both teach at the Cooper Union School of Art, discussed Farmiga’s new body of work. The AVATAR series features scaled up wooden plywood sculptures described by Farmiga as masks or protest posters, currently on view at Marisa Newman Projects gallery in New York. “A mask allows an individual to lose or transcend their identity, while protest posters serve to signal one’s belief systems or demands,” Farmiga told Krieger. “Both function as barriers between the individual and the world; both peddle in anonymity and identification. In my hybridized version, the scaled-up form of the protest poster on a stick also assumes the role of a mask or shape of a sentient being.”

Valve Turners, a documentary feature film directed and produced by Steve Bonds-Liptay MS ’10, premiered and won the Climate Action Award in this year’s Climate Film Fest. Valve Turners follows a small group of activists from the Pacific Northwest as they turn the valves and halt the flow of five oil pipelines entering the United States from Canada to spotlight the climate emergency. Facing felony charges, they defend their actions as necessary in light of decades of political inaction and urgent warnings from climate scientists. The film festival called Bonds-Liptay’s feature “riveting and incisive.” Bonds-Liptay graduated from Bard’s Graduate Programs in Sustainability with a masters degree in environmental policy. 

The 2024 Dance Magazine Awards honor Bard alumna Joanna Haigood ’79, alongside George Faison, Liz Lerman, Mavis Staines, Shen Wei, and Mikhail Baryshnikov, whose work with Baryshnikov Arts earned him the Chairman’s Award. From its first year in 1954, the Dance Magazine Awards have been given annually in appreciation of the artistry, integrity, and resilience that dance artists have demonstrated over the course of their careers. The theme for this year’s awards is “the stage and beyond”—the dancers, choreographers, and educators recognized are invested in work that often transcends the proscenium.

“Since 1980 Joanna Haigood has been creating work that uses natural, architectural, and cultural environments as points of departure for movement exploration and narrative,” says the Dance Magazine Awards statement. “Her stages have included grain terminals, a clock tower, the pope’s palace, military forts, and a mile of neighborhood streets in the South Bronx. Her work has been commissioned by many arts institutions, including Dancing in the Streets, Jacob’s Pillow, the Walker Art Center, the National Black Arts Festival, and Festival d’Avignon. Haigood has had the privilege to mentor many extraordinary young artists at the École Nationale des Arts du Cirque, the Trinity Laban Conservatoire, Spelman College, Stanford University, the San Francisco Circus Center, and Zaccho Studio.”

Brandon Blackwood ’13, Bard alumnus and designer, has been named in TIME magazine’s TIME100 Next list for 2024, which highlights influential figures who are shaping the future of business, entertainment, sports, politics, science, health, and other fields. “As one of few preeminent Black designers, Blackwood represents changemakers who lead by example with fearlessness, innovation, and a steadfast embrace of inclusivity,” writes Elaine Welteroth for TIME. “His influence extends beyond the runway, inspiring a new generation of designers to merge style with substance. The B on his bags not only honors their namesake—it also reflects his brilliance across every design, collection, and work of art he offers to this world.”

Bard alumni/ae Rosa Polin ’16 and Ryan Rusiecki ’20, graduates of the photography program, have been featured in Cultured magazine’s Young Photographers 2024, a list highlighting the next generation of image makers who have dedicated themselves to photography as an art form. “I try to use photography the same way I try to live the rest of my life,” said Polin ’16, who blends realism and the uncanny in intimate imagery. “I am trying to find my voice. It’s all a big mixture of shame, curiosity, fear, playfulness, boredom, irony, sadness, lust, humor, and empathy.” For his environmental photography, Rusiecki ’20 has revisited the same subject each year, watching its transformation under imminent threat. “The subject of my practice — the Hudson River estuary — is a globally rare habitat that is under threat by rising sea levels and climate change,” he said. “I have only been able to photograph the estuary after having spent four years of repeated return, and multidisciplinary research, to understand its nuances and visual fragility. I consider the estuary a friend.”