Newsmakers

Denise Markonish CCS ’99, chief curator of Mass MoCA, has been named the new chief curator of the Madison Square Park Conservancy, the nonprofit entrusted by the City of New York to operate Madison Square Park, which functions as a public garden, urban forest, wildlife habitat, and public art exhibition space. In June she will begin her new job stewarding the art program for the 6.2-acre park, which is used by 60,000 people daily, reports the New York Times. As a leader of Mass MoCA’s curatorial program since 2007, Markonish has worked with artists including Nick Cave, Trenton Doyle Hancock, Glenn Kaino, Teresita Fernandez and Jeffrey Gibson (Bard artist in residence) on commissions often the size of a football field, experience that is invaluable in approaching the large-scale work of the park. “I’ve built my career on doing large-scale commissions,” Markonish said. “And to do so now in such a public place and thinking outside the box of the walls of a museum will be an amazing challenge.”

When the recent Los Angeles wildfires burned down the Altadena home of artist Eddie Rodolfo Aparicio ’12, his brick fireplace and chimney were the only structures left standing. “I began thinking about the resilience of these chimneys,” Aparicio told Hyperallergic. “I’m always looking at symbols that can hold both sides of an emotion: resilience and trauma.” In his first painting since the fires, Aparicio collaborated with Bay Area artist and activist David Solnit and a group of about two dozen volunteers to create a protest painting made with paint that was mixed by Solnit using pigments made from ash and charcoal collected at Altadena burn sites. Aparicio’s black-and-white painting depicts his chimney and fireplace standing among charred ruins and belching dark black smoke. The words “Invest in Communities, Not Fossil Fuels” are printed in both English and Spanish. Environmental activists assert that oil and gas companies have directly contributed to climate change–fueled disasters, like wildfires, that are devastating communities. Aparicio’s painting was unveiled at a Pasadena rally calling for CalPERS, the nation’s largest public pension fund, to fully divest from fossil fuels. An identical painting was unveiled the same day at another rally in front of the Chevron oil refinery in Richmond in northern California.

Alexandra “Sasha” Skochilenko ’17, Bard and Smolny College alumna and Russian artist who was imprisoned in 2022 for opposing the war in Ukraine, will speak at Bard College Berlin on Monday, April 7. Her talk, How a Bachelor’s Degree in Liberal Arts and Sciences Helped Me in Jail, which will take place from noon to 3 pm EDT and be accessible via Zoom, will be moderated by her academic advisor, Ilya Kalinin, of Smolny Beyond Borders and visiting scholar at Bard College Berlin and Humboldt University. Skochilenko had been imprisoned in March 2022 for the act of placing anti-war leaflets, disguised as price tags, on goods in a grocery store in Saint Petersburg. In 2024, she was released along with other political prisoners as part of a larger prisoner swap between Russia, the United States, and several European countries. She is a 2025 recipient of the Bard College Award.

In her talk, Skochilenko will discuss her studies in anthropology at Smolny College of Liberal Arts and Sciences and how this experience shaped and strengthened her anti-war stance. She will also reflect on her courtroom speech which explored the value of life and reconciliation in times of war and conflict, and how these ideas helped her survive imprisonment. 

Read more about Sasha Skochilenko ’17:

https://opensocietyuniversitynetwork.org/resources/video-collection/case-studies/sasha-skochilenko/

Bard alumnus Benjamin Barron ’15 was interviewed in W Magazine about All-in, the fashion brand he founded with Bror August Vestbø. All-in is a design studio, magazine, and women’s brand influenced by vintage fashion. “We’re always looking for things that attract us and that we find a bit challenging in some way,” Barron said of the label.

All-In started as a magazine, which Barron and Vestbø continue to publish. Past issues explored themes like fast fashion and the decline of print magazines, and feature photoshoots with mostly thrifted clothes styled by the designers. Their own collections, which are released once a year, are each based on a storyline featuring a female character. For example, their 2023 line was based on a fictional pop star and was inspired by the film Showgirls. “Growth is happening … organically, driven by a fan base of insiders who recognize and prize originality,” writes Alice Cavanaugh for W Magazine.

Hancy Maxis ’15, Bard Prison Initiative (BPI) alumnus, spoke with the Hechinger Report about the role that learning math played in his life upon his release. He recalls considering the question of, “Once I am back in New York City, once I am back in the economy, how will I be marketable? For me, math was that pathway.” Maxis completed a bachelor’s degree in mathematics, where he wrote his senior project about how to use game theory to advance health care equity. Maxis later completed a master’s program at Columbia University’s Mailman School of Public Health and is now the assistant director of operations at Montefiore Medical Center in the Bronx, where he worked to guide the hospital’s response to the COVID-19 pandemic.
 

Suzanne Kite MFA ’18, aka Kite, distinguished artist in residence, assistant professor of American and Indigenous Studies, and director of the Wihanble S’a Center for Indigenous AI at Bard, was profiled in ArtForum’s Spotlight series. The profile focuses on Kite’s performance art and use of technology, particularly the piece “Pȟehíŋ kiŋ líla akhíšoke. (Her hair was heavy.)”, referred to as one of Kite’s “braid performances.” Writer Christopher Green calls Kite one of the “foremost Indigenous artists exploring the capacity of music, video, installation, and [technology] in combination with performance to examine the embodiment and visualization of contemporary Lakȟóta ways of knowing.”

The profile also explains Kite’s goal of making art for Native, Lakȟóta audiences. “Her refusal to legibly encode or concretize her scores for the mainstream destabilizes the ethnographic gaze and its desire to document, categorize, and control Indigenous culture, language, and bodies,” Green writes. Her upcoming Wičhíŋčala Šakówiŋ (Seven Little Girls), a scored performance which will be accompanied by a full orchestra, will be presented at MIT later this year.

Filmmaker and Bard alumna Gia Coppola ’09, director and producer of The Last Showgirl starring Pamela Anderson, was honored at the 2025 Kodak Film Awards, which celebrate the artistry of cinematography. Coppola received the Auteur Award—which is bestowed in recognition of extraordinary talent, discernment, and perspective in cinematic arts—for her directorial achievements. The annual Kodak Film Awards, now in its seventh year, recognize acclaimed visual artists who are unyielding in their artistic process and celebrate industry partners who contribute to the support of analog film.

Visiting Artist in Residence and alumna Tschabalala Self ’12 was commissioned to create portraits of the Washington family—father Denzel and sons John David and Malcolm—who were behind the recent movie adaptation of August Wilson’s Pulitzer Prize–winning play The Piano Lesson. Denzel, John David, and Malcolm respectively produced (with his daughter Katia), starred in, and directed the film. Rochelle Steiner writes for TheWrap, “In Self’s hands, images of the Washingtons are intertwined with the film’s characters, such that the real and fictional commingle as references that exemplify Black America.” Inspired by and named after a 1984 Romare Bearden lithograph, The Piano Lesson is one of Self’s favorite August Wilson plays. “When looking at the play’s origin within the context of American slavery, the significance of home for the characters in the play and the figures depicted in Bearden’s piece becomes all the more poignant when you realize the legacy of separation, loss and displacement inflicted on their ancestors,” says Self. 

Her newly installed exhibition Tschabalala Self: Dream Girl is on view February 15–April 26, 2025 at Jeffrey Dietch in Los Angeles.