All Bard News by Date
November 2013
11-12-2013
Journalist Matt Taibbi ’92 has emerged as one of the shrewdest, most tenacious reporters of our nation’s financial system and politics. In this interview with William Stavru '87, he discusses financial regulation, the multiparty system, and the state of journalism today.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature,Economics,Politics and International Affairs | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature,Economics,Politics and International Affairs | Institutes(s): Bard Undergraduate Programs |
11-12-2013
Hazel Gurland-Pooler '99 of Ark Media is coproducing two episodes of The African Americans: Many Rivers to Cross, a PBS documentary series hosted by scholar Henry Louis Gates Jr.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Social Studies,Film | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Social Studies,Film | Institutes(s): Bard Undergraduate Programs |
11-08-2013
In the Bardian
By Helene Tieger ’85
“The business of an undergraduate college is to graduate not only persons who know how to make a living, but also persons who know how to live.”
—Rev. Bernard Iddings Bell, Warden of St. Stephen’s College (Lyre Tree magazine, Sept. 27, 1929)
On a foggy January day in northernmost Vermont, Justin Gallanter ’34 recounted his memories of his years at St. Stephen’s College, the precursor to Bard: “At a school with 100 students and a faculty of maybe 15, there were no secrets.” His gaze was clear, his memory sharp, and his presence, as the last known living St. Stephen’s alumnus, a bridge to the past.
Gallanter wrote in his admission application that he and his parents were first interested in St. Stephen’s after reading President Bernard Iddings Bell’s Common Sense in Education. The Gallanters were impressed by the clarity of Bell’s philosophy of education and his energetic commitment to building a rigorous residential community then sustained by four campus institutions: the curriculum, chapel, athletics, and fraternities.
Bell believed that the ideal college would be one in which students were seen as “responsible persons” and that the curriculum should be adapted to the individual student, rather than forcing undergraduates to conform to a fixed program of study.
Bell came to St. Stephen’s in 1919 as the country was regrouping from the First World War. The college was struggling; it had fewer than 30 students enrolled. By 1930, when he personally reviewed and approved Gallanter’s application for admission, B.I. (as he was known) had overseen the construction of four new buildings, including Hegeman with its brand new science labs; tripled enrollment; coordinated the merger of St. Stephen’s with Columbia University; and imprinted the community with the force of his personality and his socialist (some said radical) views.
Founded in 1860, St. Stephen’s had always provided a strong classical education for young men planning to attend Episcopal seminary, but in the 20th century the college began to expand, seeking as students “men contemplating business careers; men looking forward to lives of social service; men wishing later to enter professional schools of Medicine, Law, Education, Theology, Engineering, or Journalism . . . ” (College Catalogue, 1930).
Justin Gallanter was just 16 when he arrived at St. Stephen’s, but many of his opinions were fully formed. His admission application reads: “I am poor in mathematics and physics because they do not interest me.” He was, however, a serious student, excelling in English, Latin, French, and history. He recalled that St. Stephen’s teachers were generally excellent, though, he said, “There was a Greek professor, Harry, who . . . spoke 17 languages that all sounded like English.”
Gallanter was able to recall all of his 32 classmates. Together, the Class of 1934 participated in the rituals and ceremonies of the time, including the annual Freshman/Sophomore Tug o’ War over the Sawkill Creek and the sumptuous Boar’s Head Dinner at Christmas. In winter, they would skate on the frozen river, using their academic robes as black sails. Pranks were common: one story tells of the college horse being led into a student’s Stone Row room and left there for hours.
The only openly Jewish student at the time, Gallanter said he experienced no prejudice, and he enjoyed the music and community of mandatory daily chapel attendance. The Chapel of the Holy Innocents’ bell was rung at 6:30 a.m. and 5:30 p.m. to announce morning communion and vesper services. The communion service was optional, but strict attendance was kept each evening, when robed students sat in assigned seats. Each student was allowed only 15 chapel cuts per semester, and missing a Sunday service counted for three cuts, ensuring that students remained on campus over the weekends.
Gallanter did not belong to a fraternity, but he called himself an “honorary Sig” because his roommate was a member of Sigma Alpha Epsilon. Each society had its own house on campus for meetings and gatherings. S.A.E. was a national fraternity, while Kappa Gamma Chi and Eulexian, both of which had begun as literary societies soon after St. Stephen’s was founded, were unique to the college. Unaffiliated students were “Non-Socs” (for non-society men).
Like most things at St. Stephen’s, the pros and cons of the fraternities were intensely debated. Nevertheless, until the early 1940s when they were abandoned, fraternities structured the social life of the College. Fraternity brothers ate together at special tables in the dining hall, and each house was responsible for maintaining one of the three tennis courts then installed on Oak Lawn in front of Stone Row. Annual dance weekends saw the fraternities competing to transform the gym to best effect. These weekends also included elaborate banquets to which distinguished guests were invited. During his 2010 visit to Bard (see Spring 2011 Bardian), the Rev. John Mears ’35 recalled waiting tables at one of these banquets, attended by then Governor Franklin and Eleanor Roosevelt. (They would have been doubly distinguished guests, as F.D.R. was also a trustee of St. Stephen’s College. When he was inaugurated as president, Roosevelt resigned from the board of trustees.)
Gallanter boasted no athletic prowess (athletics, no doubt, did not interest him) but B.I. was determined to build strong bodies to house strong souls. In 1921, Bell had fulfilled the dreams of generations of St. Stephen’s students by constructing the Memorial Gymnasium, named to honor alumni who had died in the First World War. The College embarked on a program of intercollegiate athletics that included football, basketball, hockey, tennis, and later, lacrosse. Competing and sometimes winning against schools like Amherst, St. Lawrence, RPI, or MIT brought tiny St. Stephen’s into the national spotlight.
Despite all this progress, spring 1933 was inauspicious. Four years into the Depression, the College was running a dangerous deficit. B.I. despaired and recommended on March 4 that St. Stephen’s “be closed as of June 30th next.” The remaining board members did not close the College, but chose instead to create a budget that slashed operating expenses and halved the deficit by halving the salaries of the entire staff. Bell could not reconcile his vision for the College to these terms and submitted his resignation. Donald Tewksbury was chosen to head the College—not as president, but as dean, on leave of absence from Columbia. Tewksbury did not hesitate to effect change. He reduced mandatory chapel attendance to three times per week, and dropped the classics requirement altogether. In his Educational Program for Bard College, he placed a heavy academic emphasis on the arts, and outlined the Moderation and Senior Project requirements familiar to Bard students today. The following spring, the Board agreed to change the name of St. Stephen’s College to Bard, in the belief that more grant dollars would be given to a modern, secular school.
Bard President Leon Botstein says Bard today continues the tradition of academic excellence. “Throughout my 38 years at Bard I’ve been conscious of the ideals of my predecessors,” he said. “Like them, we require our students to take themselves seriously in college, and expect that what they learn here shapes what they do in the world. If the College today is a center for and a model of cultural creation, debate, service, and political exchange among citizens of the future, then we are doing our job, as we have always done.”
Helene Tieger ’85 is Bard College archivist.
*Correction: the print version of this article incorrectly labels this as a photo of the soccer team.
Read the fall 2013 issue of the Bardian:
By Helene Tieger ’85
“The business of an undergraduate college is to graduate not only persons who know how to make a living, but also persons who know how to live.”
—Rev. Bernard Iddings Bell, Warden of St. Stephen’s College (Lyre Tree magazine, Sept. 27, 1929)
On a foggy January day in northernmost Vermont, Justin Gallanter ’34 recounted his memories of his years at St. Stephen’s College, the precursor to Bard: “At a school with 100 students and a faculty of maybe 15, there were no secrets.” His gaze was clear, his memory sharp, and his presence, as the last known living St. Stephen’s alumnus, a bridge to the past.
Gallanter wrote in his admission application that he and his parents were first interested in St. Stephen’s after reading President Bernard Iddings Bell’s Common Sense in Education. The Gallanters were impressed by the clarity of Bell’s philosophy of education and his energetic commitment to building a rigorous residential community then sustained by four campus institutions: the curriculum, chapel, athletics, and fraternities.
Bell believed that the ideal college would be one in which students were seen as “responsible persons” and that the curriculum should be adapted to the individual student, rather than forcing undergraduates to conform to a fixed program of study.
Bell came to St. Stephen’s in 1919 as the country was regrouping from the First World War. The college was struggling; it had fewer than 30 students enrolled. By 1930, when he personally reviewed and approved Gallanter’s application for admission, B.I. (as he was known) had overseen the construction of four new buildings, including Hegeman with its brand new science labs; tripled enrollment; coordinated the merger of St. Stephen’s with Columbia University; and imprinted the community with the force of his personality and his socialist (some said radical) views.
Founded in 1860, St. Stephen’s had always provided a strong classical education for young men planning to attend Episcopal seminary, but in the 20th century the college began to expand, seeking as students “men contemplating business careers; men looking forward to lives of social service; men wishing later to enter professional schools of Medicine, Law, Education, Theology, Engineering, or Journalism . . . ” (College Catalogue, 1930).
Justin Gallanter was just 16 when he arrived at St. Stephen’s, but many of his opinions were fully formed. His admission application reads: “I am poor in mathematics and physics because they do not interest me.” He was, however, a serious student, excelling in English, Latin, French, and history. He recalled that St. Stephen’s teachers were generally excellent, though, he said, “There was a Greek professor, Harry, who . . . spoke 17 languages that all sounded like English.”
Gallanter was able to recall all of his 32 classmates. Together, the Class of 1934 participated in the rituals and ceremonies of the time, including the annual Freshman/Sophomore Tug o’ War over the Sawkill Creek and the sumptuous Boar’s Head Dinner at Christmas. In winter, they would skate on the frozen river, using their academic robes as black sails. Pranks were common: one story tells of the college horse being led into a student’s Stone Row room and left there for hours.
![]() |
| Justin Gallanter ’34 |
Gallanter did not belong to a fraternity, but he called himself an “honorary Sig” because his roommate was a member of Sigma Alpha Epsilon. Each society had its own house on campus for meetings and gatherings. S.A.E. was a national fraternity, while Kappa Gamma Chi and Eulexian, both of which had begun as literary societies soon after St. Stephen’s was founded, were unique to the college. Unaffiliated students were “Non-Socs” (for non-society men).
Like most things at St. Stephen’s, the pros and cons of the fraternities were intensely debated. Nevertheless, until the early 1940s when they were abandoned, fraternities structured the social life of the College. Fraternity brothers ate together at special tables in the dining hall, and each house was responsible for maintaining one of the three tennis courts then installed on Oak Lawn in front of Stone Row. Annual dance weekends saw the fraternities competing to transform the gym to best effect. These weekends also included elaborate banquets to which distinguished guests were invited. During his 2010 visit to Bard (see Spring 2011 Bardian), the Rev. John Mears ’35 recalled waiting tables at one of these banquets, attended by then Governor Franklin and Eleanor Roosevelt. (They would have been doubly distinguished guests, as F.D.R. was also a trustee of St. Stephen’s College. When he was inaugurated as president, Roosevelt resigned from the board of trustees.)
Gallanter boasted no athletic prowess (athletics, no doubt, did not interest him) but B.I. was determined to build strong bodies to house strong souls. In 1921, Bell had fulfilled the dreams of generations of St. Stephen’s students by constructing the Memorial Gymnasium, named to honor alumni who had died in the First World War. The College embarked on a program of intercollegiate athletics that included football, basketball, hockey, tennis, and later, lacrosse. Competing and sometimes winning against schools like Amherst, St. Lawrence, RPI, or MIT brought tiny St. Stephen’s into the national spotlight.
Despite all this progress, spring 1933 was inauspicious. Four years into the Depression, the College was running a dangerous deficit. B.I. despaired and recommended on March 4 that St. Stephen’s “be closed as of June 30th next.” The remaining board members did not close the College, but chose instead to create a budget that slashed operating expenses and halved the deficit by halving the salaries of the entire staff. Bell could not reconcile his vision for the College to these terms and submitted his resignation. Donald Tewksbury was chosen to head the College—not as president, but as dean, on leave of absence from Columbia. Tewksbury did not hesitate to effect change. He reduced mandatory chapel attendance to three times per week, and dropped the classics requirement altogether. In his Educational Program for Bard College, he placed a heavy academic emphasis on the arts, and outlined the Moderation and Senior Project requirements familiar to Bard students today. The following spring, the Board agreed to change the name of St. Stephen’s College to Bard, in the belief that more grant dollars would be given to a modern, secular school.
Bard President Leon Botstein says Bard today continues the tradition of academic excellence. “Throughout my 38 years at Bard I’ve been conscious of the ideals of my predecessors,” he said. “Like them, we require our students to take themselves seriously in college, and expect that what they learn here shapes what they do in the world. If the College today is a center for and a model of cultural creation, debate, service, and political exchange among citizens of the future, then we are doing our job, as we have always done.”
Helene Tieger ’85 is Bard College archivist.
*Correction: the print version of this article incorrectly labels this as a photo of the soccer team.
Read the fall 2013 issue of the Bardian:
Photo: The 1921 St. Stephen’s basketball team*
Meta: Type(s): Alumni | Subject(s): Alumni/ae | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae | Institutes(s): Bard Undergraduate Programs |
11-07-2013
Raj Mukherji '00 is one of youngest people ever to join the New Jersey State Assembly.
Photo: The 1921 St. Stephen’s basketball team*
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Early Colleges,Politics and International Affairs | Institutes(s): Center for Civic Engagement,Simon's Rock at Bard College |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Early Colleges,Politics and International Affairs | Institutes(s): Center for Civic Engagement,Simon's Rock at Bard College |
11-07-2013
On a foggy January day in northernmost Vermont, Justin Gallanter ’34 recounted his memories of his years at St. Stephen’s College, the precursor to Bard: “At a school with 100 students and a faculty of maybe 15, there were no secrets.” His gaze was clear, his memory sharp, and his presence, as the last known living St. Stephen’s alumnus, a bridge to the past.
Photo: Photo: Justin Gallanter ’34
Meta: Type(s): Alumni | Subject(s): Alumni/ae | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae | Institutes(s): Bard Undergraduate Programs |
October 2013
10-27-2013
Musician Donald Fagen has penned a literary memoir focusing on his musical influences, not stardom.
Photo: Photo: Justin Gallanter ’34
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Music |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Music |
10-26-2013
Lawyer, statesman, author, and (soon-to-be) television personality Ronan Farrow '04 has the resume of someone twice his age.
Photo: Photo: Justin Gallanter ’34
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Early Colleges,Politics and International Affairs | Institutes(s): Bard Undergraduate Programs,Simon's Rock at Bard College |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Early Colleges,Politics and International Affairs | Institutes(s): Bard Undergraduate Programs,Simon's Rock at Bard College |
10-21-2013
Where privatization and charity fail, investments in watershed services can solve the global water crisis, writes CEP alumna Karen Corey.
Photo: Photo: Justin Gallanter ’34
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Environmental/Sustainability | Institutes(s): Bard Center for Environmental Policy |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Environmental/Sustainability | Institutes(s): Bard Center for Environmental Policy |
10-18-2013
Bard College and Simon's Rock alum Ronan Farrow '04 has a new MSNBC show and a book in the works.
Photo: Photo: Justin Gallanter ’34
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Politics and International Affairs | Institutes(s): Bard Undergraduate Programs,Center for Civic Engagement,Simon's Rock at Bard College |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Politics and International Affairs | Institutes(s): Bard Undergraduate Programs,Center for Civic Engagement,Simon's Rock at Bard College |
10-17-2013
Lilly Bechtel '09 harnesses the healing power of yoga in her work with veterans who are coping with post-traumatic stress disorder.
Photo: Photo: Justin Gallanter ’34
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Wellness | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Wellness | Institutes(s): Bard Undergraduate Programs |
10-16-2013
Larissa Phillips examines the social, environmental, and parenting implications of hunting for food.
Photo: Photo: Justin Gallanter ’34
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Environmental/Sustainability,Wellness | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Environmental/Sustainability,Wellness | Institutes(s): Bard Undergraduate Programs |
10-16-2013
Composer Sung Jin Hong '03 plans to stage his new mini-opera Breaking Bad—Ozymandias next year. The piece will combine elements of the hit show with Percy Bysshe Shelley's sonnet "Ozymandias."
Photo: Photo: Justin Gallanter ’34
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature,Film,Music,Opera | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature,Film,Music,Opera | Institutes(s): Bard Undergraduate Programs |
10-16-2013
Bard College Master of Arts in Teaching (Bard MAT) graduate Colleen Bucci ’08 has been named a New York State Master Teacher by Governor Andrew M. Cuomo. Bucci is one of 104 educators from four regions to be selected as the first group of New York State Master Teachers. Bucci, who graduated from the Bard MAT Program in 2008, is a biology teacher in the Hyde Park Central School District.
Meta: Type(s): Alumni | Subject(s): Alumni/ae | Institutes(s): Master of Arts in Teaching |
Meta: Type(s): Alumni | Subject(s): Alumni/ae | Institutes(s): Master of Arts in Teaching |
10-15-2013
How do you turn a graphic novel into a musical? Broadway veterans took the unconventional childhood memoir Fun Home, by Alison Bechdel A.A. '79, and adapted it for the stage.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature,Division of the Arts,Early Colleges,Music,Theater | Institutes(s): Center for Civic Engagement,Simon's Rock at Bard College |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature,Division of the Arts,Early Colleges,Music,Theater | Institutes(s): Center for Civic Engagement,Simon's Rock at Bard College |
10-15-2013
City Year volunteers work as tutors, classroom assistants, and after-school program leaders to give struggling students a boost in U.S. cities. Jennifer Spadaccia '13 is among the 42 young adults providing academic support in New Orleans schools with City Year.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Career Development | Institutes(s): Bard Undergraduate Programs,Center for Civic Engagement |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Career Development | Institutes(s): Bard Undergraduate Programs,Center for Civic Engagement |
10-15-2013
Alumni/ae Day and Family Weekend will take place on campus October 25–27. Join us for a variety of events, including What's New at Bard, the Ask the President forum, sample classes, performances by the American Symphony Orchestra, campus tours, and panel discussions. Click below to view the full program.
Meta: Type(s): Event | Subject(s): Alumni/ae,Student | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Event | Subject(s): Alumni/ae,Student | Institutes(s): Bard Undergraduate Programs |
10-14-2013
Bard alumnus, actor, and filmmaker Andrew Gilchrist '05 discusses his new film, Sea Pig, which recently won Best Short Film at both the Kansas City Film Festival and the Coney Island Film Festival.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Film,Theater | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Film,Theater | Institutes(s): Bard Undergraduate Programs |
10-10-2013
Canadian and Omaskêko Cree artist and Bard alumnus Duane Linklater MFA '13 has won the nation's Sobey Art Award for contemporary artists under the age of 40.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts | Institutes(s): MFA |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts | Institutes(s): MFA |
10-10-2013
Gabriel Blau '02 founded the God and Sexuality National Academic Conference at Bard in 1998. These days, he's advocating for LGBT families as the new executive director of the Family Equality Council.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Politics and International Affairs,Religion and Theology | Institutes(s): Bard Undergraduate Programs,Center for Civic Engagement |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Politics and International Affairs,Religion and Theology | Institutes(s): Bard Undergraduate Programs,Center for Civic Engagement |
10-08-2013
Meher Varma '07 encourages international students to consider studying in the United States by relating some of the best things about being at Bard.
Meta: Type(s): Alumni | Subject(s): Admission,Alumni/ae | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Admission,Alumni/ae | Institutes(s): Bard Undergraduate Programs |
10-04-2013
The Bard Prison Initiative is expanding. This summer the program opened two new campuses in New York State, one of which restored BPI's program for women after Bayview Correctional Facility in Manhattan was closed after Hurricane Sandy. BPI has more students enrolled in its programs and a more diverse array of classes than ever before. In June, the program hosted a conference on the liberal arts in prison with its growing consortium of national partner organizations. BPI has also hired three new site directors, all of whom are Bard alumni/ae: classicist Rana Al-Saadi Liebert '01, writer Joe Vallese '06, and sculptor Pamela J. Wallace '87.
Read More
Meta: Type(s): Event | Subject(s): Alumni/ae,Inclusive Excellence | Institutes(s): Bard Prison Initiative,Center for Civic Engagement |
Read More
Meta: Type(s): Event | Subject(s): Alumni/ae,Inclusive Excellence | Institutes(s): Bard Prison Initiative,Center for Civic Engagement |
September 2013
09-30-2013
Artist Amy Sillman is both a graduate and faculty member of Bard's MFA program. Her first museum retrospective, one lump or two, opens Thursday at the Institute of Contemporary Art in Boston.
Meta: Type(s): Faculty | Subject(s): Alumni/ae,Division of the Arts | Institutes(s): MFA |
Meta: Type(s): Faculty | Subject(s): Alumni/ae,Division of the Arts | Institutes(s): MFA |
09-25-2013
Bard alumnus Dan Gettinger '13, of the Center for the Study of the Drone at Bard College, considers questions of collectivism and individuality raised at the recent Maker Faire in New York City.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Science, Math, and Computing | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Science, Math, and Computing | Institutes(s): Bard Undergraduate Programs |
09-19-2013
Recent graduate Saim Saeed '13 writes about the challenges of political self-determination and the appeal of patriarchs.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Politics and International Affairs | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Politics and International Affairs | Institutes(s): Bard Undergraduate Programs |
09-16-2013
Bard alumna Lisa Kereszi's photography is an homage to the medium, guided by everyday life and objects rather than any preconceived goals by the artist.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts | Institutes(s): Bard Undergraduate Programs |
09-12-2013
President Obama has nominated Richard G. Frank '74 for the position of assistant secretary for planning and evaluation in the Department of Health and Human Services.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Politics and International Affairs,Wellness | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Politics and International Affairs,Wellness | Institutes(s): Bard Undergraduate Programs |
09-10-2013
Vocal Arts Program alumnae Lucy Dhegrae M.M. '12 and Ariadne Greif M.M. '10 performed at the Resonant Bodies Festival in Brooklyn, and will sing at Bard on Sunday in "Dawn Upshaw and Friends."
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Bard Conservatory,Music | Institutes(s): Bard Conservatory of Music |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Bard Conservatory,Music | Institutes(s): Bard Conservatory of Music |
09-04-2013
Bard alumnus, writer, and director David Cote '92 will direct two plays in New York City this month: Otherland, which he wrote, and Something Something Über Alles, written by late Bard faculty member Assurbanipal Babilla.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature,Theater | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature,Theater | Institutes(s): Bard Undergraduate Programs |
09-03-2013
Gia Coppola's first feature film, Palo Alto—which she adapted from James Franco's short story collection—was well received at the Telluride Film Festival.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Film | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Film | Institutes(s): Bard Undergraduate Programs |
August 2013
08-30-2013
Opus 40, the sculptural masterwork (now museum) of the late Bard alumnus and professor Harvey Fite '30, hosted the Felice County Fair last weekend, featuring Béla Fleck, the Felice Brothers, Amy Helm, and more.
Meta: Type(s): Faculty | Subject(s): Alumni/ae,Division of the Arts,Music | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Faculty | Subject(s): Alumni/ae,Division of the Arts,Music | Institutes(s): Bard Undergraduate Programs |
08-23-2013
Independent theater companies like Skin Horse Theater are finding fertile ground for experimentation in the city.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts,Theater | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts,Theater | Institutes(s): Bard Undergraduate Programs |
08-21-2013
“The first photo books that registered with me were a few Aperture titles at the bookstore at Bard College," writes Michelle Dunn Marsh. "Stephen Shore’s Uncommon Places, Larry Fink’s Social Graces ..."
Meta: Type(s): Faculty | Subject(s): Alumni/ae,Division of the Arts | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Faculty | Subject(s): Alumni/ae,Division of the Arts | Institutes(s): Bard Undergraduate Programs |
08-16-2013
You may never look at a hamburger the same way again. “Despite the rather disgusting quality of many of these images," writes Feinstein, "there is still an allure.”
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts,Wellness | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts,Wellness | Institutes(s): Bard Undergraduate Programs |
08-14-2013
Hannah Bronfman '11 is a woman of many talents—among them DJ, restaurateur, and brand creator. In this interview, she talks about her new mobile app and gives advice to enterprising college students.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Science, Math, and Computing,Division of the Arts | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Science, Math, and Computing,Division of the Arts | Institutes(s): Bard Undergraduate Programs |
08-11-2013
Bard Conservatory graduate Ming Aldrich-Gan '10 is the music director for Bradley Cole at the New York International Fringe Festival.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Bard Conservatory,Division of the Arts,Music,Theater | Institutes(s): Bard Conservatory of Music,Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Bard Conservatory,Division of the Arts,Music,Theater | Institutes(s): Bard Conservatory of Music,Bard Undergraduate Programs |
08-06-2013
Arthur Holland Michel '13, of Bard's Center for the Study of the Drone, examines the many possible uses of drone technology, and the ethical implications of drone development.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Science, Math, and Computing,Division of Social Studies,Politics and International Affairs | Institutes(s): Bard Undergraduate Programs,Center for Civic Engagement |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Science, Math, and Computing,Division of Social Studies,Politics and International Affairs | Institutes(s): Bard Undergraduate Programs,Center for Civic Engagement |
08-01-2013
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature,Environmental/Sustainability | Institutes(s): Bard Undergraduate Programs |
08-01-2013
Bard alumnus, performer, screenwriter, and playwright Nick Jones '01 talks about how the Netflix approach of making an entire series available at once enables a different kind of viewing experience.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature,Division of the Arts,Film,Theater | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature,Division of the Arts,Film,Theater | Institutes(s): Bard Undergraduate Programs |
July 2013
07-30-2013
Contemporaneous, a new music ensemble featuring Bard alumni/ae and students, was on WNYC's Soundcheck this week with musician Jherek Bischoff.
Meta: Type(s): Event | Subject(s): Alumni/ae,Music,Student | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Event | Subject(s): Alumni/ae,Music,Student | Institutes(s): Bard Undergraduate Programs |
07-29-2013
Bard alumnus Adam Goldman '08, creator of the hit Web series The Outs, is working on a new show called Whatever this is., featuring alumnae Sasha Winters '08 and Madeline Wise '12. The series focuses on the junior members of a video production crew in New York City, as they struggle to meet their personal goals while working underpaid jobs.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts,Film | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts,Film | Institutes(s): Bard Undergraduate Programs |
07-26-2013
Scott Gendel '99 weaves an Appalachian tale through music.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Music | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Music | Institutes(s): Bard Undergraduate Programs |
07-19-2013
Alex Kalman cofounded Red Bucket Films while studying at Bard. Later this month he plans to release a new, free app called Camra, which enables users to edit a one-minute video on the go.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Science, Math, and Computing,Film Series | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Science, Math, and Computing,Film Series | Institutes(s): Bard Undergraduate Programs |
07-18-2013
Gaby Hoffmann '04 lived in the famous Chelsea Hotel in New York City as a child, setting the stage for her acting career.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts,Film,Theater | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of the Arts,Film,Theater | Institutes(s): Bard Undergraduate Programs |
07-18-2013
Bardians Liza Birnbaum '10, Molly Schaeffer '10, and Paul Cavanagh '11 started a new literary journal in Portland, Oregon, in memory of Bill Cranshaw '10, their friend who passed away after graduation.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Division of Languages and Literature | Institutes(s): Bard Undergraduate Programs |
07-17-2013
Mohammed Adawulai came to Simon's Rock from Ghana in 2005 as an exchange student. This May, he graduated magna cum laude, sharing the commencement stage with Ben Bernanke, and calling attention to the wealth gap between nations in the global north and south.
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Early Colleges,Economics,Politics and International Affairs | Institutes(s): Center for Civic Engagement,Simon's Rock at Bard College |
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Early Colleges,Economics,Politics and International Affairs | Institutes(s): Center for Civic Engagement,Simon's Rock at Bard College |
07-09-2013
Meta: Type(s): Alumni | Subject(s): Alumni/ae,Early Colleges,Politics and International Affairs | Institutes(s): Bard Undergraduate Programs,Center for Civic Engagement,Simon's Rock at Bard College |
07-03-2013
Bard artist, alumnus, and longtime faculty member Harvey Fite crafted the massive Opus 40 sculpture park, "one of the most extraordinary pieces of sculpture ever created by a single man."
Meta: Type(s): Faculty | Subject(s): Alumni/ae,Division of the Arts | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Faculty | Subject(s): Alumni/ae,Division of the Arts | Institutes(s): Bard Undergraduate Programs |
07-02-2013
A Rite opens this weekend at the Fisher Center. Co-creators Anne Bogart '74 and Janet Wong discuss the innovative dance-theater piece.
Meta: Type(s): Event | Subject(s): Alumni/ae,Dance,SummerScape,Theater | Institutes(s): Fisher Center |
Meta: Type(s): Event | Subject(s): Alumni/ae,Dance,SummerScape,Theater | Institutes(s): Fisher Center |
07-01-2013
Bard Conservatory Vocal Arts Program graduate Julia Bullock receives a rave review for her "full-voiced, stunningly paced account of 'Somewhere,'" in the San Francisco Symphony's concert performance of West Side Story.
Meta: Type(s): Alumni | Subject(s): Alumni/ae | Institutes(s): Bard Conservatory of Music |
Meta: Type(s): Alumni | Subject(s): Alumni/ae | Institutes(s): Bard Conservatory of Music |
June 2013
06-28-2013
Bard lands at number 15 on the Forbes list of top 50 colleges for return on investment.
Meta: Type(s): Event | Subject(s): Admission,Alumni/ae | Institutes(s): Bard Undergraduate Programs |
Meta: Type(s): Event | Subject(s): Admission,Alumni/ae | Institutes(s): Bard Undergraduate Programs |

